31. What can be learned about Rutkowski from the first two paragraphs?
- A. He is enthusiastic about using AI models.
- B. He is popular with users of an AI art generator.
- C. He attracts admiration from other illustrators.
- D. He specializes in classical painting digitalization.
答案：B
答案句：A Polish digital artist who uses classical painting styles to create dreamy fantasy landscapes, Greg Rutkowski has made illustrations for games such as Dungeons & Dragons and Magic: The Gathering. … His distinctive style is now one of the most commonly used prompts in the new open-source AI art generator Stable Diffusion.
参考译文：一位使用古典绘画风格创作梦幻奇幻风景的波兰数字艺术家格雷格·鲁特科夫斯基，曾为《龙与地下城》和《万智牌》等游戏绘制插图。… 他独特的风格现在是新的开源AI艺术生成器Stable Diffusion中最常用的提示词之一。
定位线索：题干“from the first two paragraphs”定位前两段；文中“His distinctive style is now one of the most commonly used prompts”对应选项B“popular with users of an AI art generator”。
解析：题干问从第一、二段能了解鲁特科夫斯基什么。答案句指出他的风格是AI生成器中最常用的提示词之一，说明他在该生成器用户中很受欢迎，对应B项。A项“热衷于使用AI模型”无中生有，文中未提他本人使用；C项“受到其他插画师钦佩”范围扩大，文中只提用户使用其风格；D项“专长古典绘画数字化”偷换概念，他使用古典风格创作，并非数字化古典绘画。
32. The problem with open-source AI art generators is that they ____
- A. lack flexibility in responding to prompts.
- B. produce artworks in unpredictable styles.
- C. make unauthorized use of online images.
- D. collect user information without consent.
答案：C
答案句：But these open-source programs are built by scraping images from the internet, often without permission and proper attribution to artists.
参考译文：但这些开源程序是通过从互联网上抓取图像构建的，通常未经许可，也未对艺术家进行适当署名。
定位线索：题干“problem with open-source AI art generators”定位第三段；文中“without permission and proper attribution”对应选项C“unauthorized use of online images”。
解析：题干问开源AI艺术生成器的问题。答案句明确指出它们通过抓取网络图像构建，且未经许可和适当署名，即未经授权使用在线图像，对应C项。A项“对提示词缺乏灵活性”无中生有；B项“产生不可预测风格”无中生有；D项“未经同意收集用户信息”偷换概念，文中是收集图像而非用户信息。
33. After searching online, Rutkowski found ____
- A. a unique way to reach audiences.
- B. a new method to identify AI images.
- C. AI-generated work bearing his name.
- D. heated disputes regarding his copyright.
答案：C
答案句：Then he tried searching for his name to see if a piece he had worked on had been published. The online search brought back work that had his name attached to it but wasn't his.
“It’
参考译文：然后他尝试搜索自己的名字，看看自己参与的作品是否已发表。在线搜索返回了带有他名字但并非他创作的作品。
定位线索：题干“After searching online”定位第四段；文中“work that had his name attached to it but wasn't his”对应选项C“AI-generated work bearing his name”。
解析：题干问鲁特科夫斯基在线搜索后发现了什么。答案句明确说搜索返回了带有他名字但并非他创作的作品，即AI生成的作品冠以他的名字，对应C项。A项“接触受众的独特方式”是搜索前的想法，并非搜索后的发现；B项“识别AI图像的新方法”无中生有；D项“关于版权的激烈争议”范围扩大，文中未提争议。
34. According to Ortiz, AI companies are advised to ____
- A. campaign for new policies or regulation.
- B. offer their services to public institutions.
- C. strengthen their relationships with AI users.
- D. adopt a different strategy for AI model training.
答案：D
答案句：One suggestion is that AI models could be trained on images in the public domain, and AI companies could forge partnerships with museums and artists, Ortiz says.
参考译文：奥尔蒂斯说，一个建议是AI模型可以基于公共领域的图像进行训练，AI公司可以与博物馆和艺术家建立合作关系。
定位线索：题干“Ortiz, AI companies are advised to”定位末段；文中“AI models could be trained on images in the public domain”对应选项D“adopt a different strategy for AI model training”。
解析：题干问根据奥尔蒂斯，AI公司被建议做什么。答案句提到建议AI模型基于公共领域图像训练，即采用不同的训练策略，对应D项。A项“推动新政策或法规”是艺术家团体可能做的事，并非对AI公司的建议；B项“向公共机构提供服务”无中生有；C项“加强与AI用户的关系”偷换概念，文中是“与博物馆和艺术家建立合作关系”。
35. What is the text mainly about?
- A. Artists’ responses to AI art generation.
- B. AI’s expanded role in artistic creation.
- C. Privacy issues in the application of AI.
- D. Opposing views on AI development.
答案：A
答案句：But these open-source programs are built by scraping images from the internet, often without permission and proper attribution to artists. As a result, they are raising tricky questions about ethics and copyright. And artists like Rutkowski have had enough. … Other artists besides Rutkowski have been surprised by the apparent popularity of their work in text-to-image generators—and some are now fighting back. … “There is a coalition growing within artist industries to figure out how to tackle or mitigate this,” says Ortiz.
参考译文：但这些开源程序是通过从互联网上抓取图像构建的，通常未经许可，也未对艺术家进行适当署名。因此，它们引发了关于伦理和版权的棘手问题。像鲁特科夫斯基这样的艺术家已经受够了。… 除了鲁特科夫斯基，其他艺术家也对他们的作品在文本到图像生成器中的明显流行感到惊讶，有些人现在正在反击。… 奥尔蒂斯说：“艺术家行业内正在形成一个联盟，以找出如何应对或缓解这一问题。”
定位线索：题干“mainly about”定位全文；文中“artists like Rutkowski have had enough”“some are now fighting back”“a coalition growing within artist industries”对应选项A“Artists’ responses to AI art generation”。
解析：题干问文章主旨。文章从鲁特科夫斯基的遭遇引出艺术家对AI艺术生成的反应，包括担忧、反击和组建联盟，整体围绕艺术家的回应展开，对应A项。B项“AI在艺术创作中角色扩大”是背景，非主旨；C项“AI应用中的隐私问题”是部分细节，非主旨；D项“对AI发展的对立观点”范围过大，文中未提对立观点。